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浙派中国人物画从20世纪50年代开始发展,浙江美术学院挑选了以方增先为代表,把美术学院绘画系各个专业里最优秀的年轻教师的精英人才组合团队,探索实验攻克唯关。在新中国成立后的中国人物画领域,通过各种方式摸索,进行了中国画结构素描研究及用水墨花卉的技法转嫁到水墨新人物画表现上,打破了中国传统绘画历史上中国人物画固有的技法与框架。“新的思想!产生新的技术!衍生了新的形式与作品!”从开始的集体统一模式,慢慢转化为极强的个人绘画表现风格,在艺术上天资极高的周昌
Since the 1950s, the Zhejiang School of Art has chosen a team of elite talents headed by Fang Zengxian and the finest young teachers in various departments of the Academy of Fine Arts to explore the experimental breakthrough. After the founding of new China, the field of Chinese figure painting explored through various ways and carried out the sketch study of Chinese painting structure and the technique of using ink flowers and flowers to the performance of the new figure painting of ink and wash, breaking the inherent in Chinese figure painting in the history of traditional Chinese painting Technique and framework. “New ideas! Generate new technology! Derived new forms and works! ” From the beginning of the collective unity of the model, slowly transformed into a strong personal style of painting performance, in the art of very high Zhou Zhou