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大提琴是一种优雅的西洋乐器,因其洪厚纯净而深为人所喜爱,它的音色几乎可以媲美人声,极其美妙。而音色正是音乐的表现基础,演奏出美妙的音乐也是每一位大提琴演奏家终生所追求的。大提琴演奏具有一定的难度,所以要想演奏出好听的音乐是极其不容易的。我们知道发出的声音受到多种制约,特别是对于大提琴演奏来说,要想演奏出好听的音乐,必须掌握更加科学的演奏方法。我们知道听觉和手法都影响着大提琴演奏的音色,而握弓、运弓和弓法等决定着大提琴的发音。本文以下就主要从这几个方面进行阐述,将理论知识与实践演奏结合起来,对大提琴演奏过程中的音色问题进行探究,以供参考。
Cello is an elegant Western instrument, deep and pure because of its deep love, its sound almost comparable to the human voice, very wonderful. The sound is the basis of the performance of music, playing wonderful music is also the life of every cellist sought after. Cello performance has a certain degree of difficulty, so to play good music is extremely difficult. We know that the sound emitted is subject to a variety of constraints, especially for the cello, in order to play good music, we must master the more scientific methods of playing. We know that both hearing and tricks affect the sound of the cello, and holding the bow, bowing and bowing determines the pronunciation of the cello. The following article mainly elaborates from these aspects, combines the theoretical knowledge with the practice performance, and explores the timbre problem during the cello playing for reference.