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卡塞尔文献展李振华:你从1997年和洪浩合作《邀请信》项目开始,就将卡塞尔文献展置于创作的核心,当然1997年也正好是第十届卡塞尔文献展,你们巧妙地利用了这个五年才有一次的机会,并将其转化为连接这一国际艺术项目和本土当代艺术语境的作品。时间已经过去整整15年,你第二次参加卡塞尔文献展。不知道你对之前的《邀请信》和《这里通往卡塞尔》(1998年),以及《追光——阿斯蓬》系列(2006年)、《着陆》系列(2007年)这些作品怎么看?你如何看待这些作品之间的联系和线索?
Kassel Documentary Exhibition Li Zhenhua: Since 1997, when you cooperated with Hong Hao in your “Invitation Letter” project, you have put Kassel Documentary Exhibition on the core of creation. Of course, 1997 is also the tenth Kassel Documentary Exhibition. You have cleverly taken advantage of this once-in-a-decade opportunity and transformed it into a work that connects this international art project to the context of local contemporary art. Fifteen years have passed and you attend the Kassel Literature Show for the second time. I do not know if you have any questions about the previous invitation letters and the Cassel to Here (1998), and the works of Chasing Light - Aspen (2006) and Landing Series (2007) How do you think? How do you think of the links and clues between these works?