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走进古典诗词这座奇异缤纷的大花园,写“影”的诗句如朵朵奇葩,千姿百态、浓香醉人,让人应接不暇、眼花缭乱:有动态的“云破月来花弄影”(张先《天仙子》),“天光云影共徘徊”(朱熹《观书有感》),也有静态的“帘压卷花影”(张先《归朝欢》),“今夜故人来不来,教人立尽梧桐影”(吕岩《梧桐影》);有“闲云潭影日悠悠”(王勃《滕王阁序》)类的水中影,“起舞弄清影”(苏轼《水调歌头》)的月下影,也有隐隐绰绰的灯下影,扑朔迷离的黄昏影;有
Into the strange and colorful garden of classical poetry, write “shadow” poems like flowers and wonderful flowers, varied, intoxicating, intoxicating, dazzling: there is a dynamic “cloud break month to spend shadow ”(Zhang Xian’s “Tianzi”), “sky shadows and shadows together” (Zhu Xie’s “View of Books”), and also static “curtain pressure scroll ” (Zhang Xian “Guo Zhao Huan”), “The deceased people come here tonight to teach people to make indigo Tong Ying ” (Lv Yan “Indus Shadow”); there “Leisure Lake Shadows Day Leisurely” (Wang Bo “Teng Wang Ge Xuan” class of underwater film, “ The shadows of the moon and shadows of the shadowy ” (Su Shi’s “The Water Songs Head”) also have shadows underneath the shadows of the lights, and shadowy evening shadows;