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唐卡中的清高宗形象均被描绘成文殊菩萨的扮相,档案里称之为“御容佛像”。其实,从元代开始,藏传佛教已经把中国皇帝看作是文殊菩萨在世间的转轮君王。清高宗文殊菩萨转世形象唐卡被一而再、再而三地绘制、供奉,首先是为了稳定国家的统治,虽然这个功能并非出自宗教系统的制度承当,而仅仅是帝王政治的内在要求,但也导致了人王兼教主、王者即菩萨的视觉形象的层出不穷,是帝王在固有的世俗权力秩序之中的精神构建。
The images of Emperor Taka dynasty in Thangka are portrayed as the appearance of the Manjusri Bodhisattva, which is called “Sovereign Buddha” in the archives. In fact, since the Yuan Dynasty, Tibetan Buddhism has regarded the Chinese emperor as the emperor of Manjushri in the world. The Reincarnated Image of the Qing Emperor Gaozong’s Manjushri Thangka is drawn and enshrined again and again. The first is to stabilize the rule of the country. Although this function is not undertaken by the system of the religious system but merely an inherent requirement of imperial politics, Also led to the king and the leader, the king that the visual image of Buddha after another, is the emperors in the inherent spiritual order of power in the construction.