论文部分内容阅读
绘画语言本质上是一种符号,符号化是指人的表达或交流过程。一个完整的绘画语言符号化过程包括两个阶段:画者绘画语言的视觉表达和观者的理解。表达是绘的阶段,理解是观的阶段。每个画者都有根据自己的视觉经验和艺术认知所形成的符号体系,它与画者的观察角度、思想状态紧密联系,使绘画语言具有了鲜明的表达功能:反应画者的思想、态度和文化积淀。绘画是一种创造,它是画者对自己的认定,表达了画家对自然的感悟,这种感悟我们称之为“美”。绘画语言表达的间距性既体现了美,同时也为观者带来了审美满足。
Drawing language is essentially a symbol, symbolization refers to the process of human expression or exchange. A complete painting language symbolization process includes two stages: the visual expression of the artist’s painting language and the viewer’s understanding. Expression is the stage of painting, understanding is the stage of observation. Each painter has a symbolic system formed according to his own visual experience and artistic cognition. It is closely linked with the observer’s perspective and the state of thought of the artist, so that the painting language has a distinctive function of expression: to reflect the artist’s thought, Attitude and cultural accumulation. Painting is a kind of creation, it is the artist’s identification of himself, expressing the artist’s perception of nature, which we call “beauty.” The pitch of the expression in painting not only reflects the beauty, but also brings aesthetic satisfaction to the viewer.