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毫毛,米修笔下的一个小人物,在法国当代文坛的人物画廊里占有一席颇为重要的地位。他天真、谦逊,惯于逆来顺受,在生活中时时受虐待,处处碰壁。进餐馆,因点了一道菜单上没有的排骨而被送警察局;为一点小病上医院,又让人推进手术室,无端失去一个食指;出门远游,被人赶下火车;面对别人的痛骂,他无言以对,无力反驳。现实太强大,太残酷,他只有连连道歉,极力回避。《有个毫毛》(1930)似小说,似散文,似素描,人物的遭际是在浓郁的幽默和怪诞的夸张中展开的,字里行间透出的却是深沉的悲怆,作者仿佛用喜剧的形式演出了一出悲剧,那苦涩的幽默、夸张的滑稽始终掩盖不了主人公凄惨的血泪苦命。在表现毫毛种种遭际和命运的同时,米修还为我们象征性地描绘了一个荒谬的世界,揭示了现代社会中人的可悲景况,人与社会的格格不入。·译者·
Hairy, a minor by Meixiu, occupies a rather important position in the figure gallery of French contemporary literary circles. He is naive, humble, accustomed to obedience, always abused in life, run into trouble. Into the restaurant, because of the point of the menu did not have a spare ribs and was sent to the police station; for a little sick on the hospital, but also to promote the operating room, unprovoked loss of an index finger; go out to travel, was hurried off the train; face others Abusive, he was speechless, unable to refute. Reality is too strong, too cruel, he only apologized again and again, strongly avoided. “There is a hairless” (1930) like a novel, like a prose, like a sketch, character interludes are rich in humor and grotesque exaggeration in the open between the lines is deep sadness, the author seems to use the form of comedy A tragedy, that bitter humor, exaggerated funny can not always cover up the protagonist miserable blood and tears. In the performance of all kinds of innocence and fate, Misiu also portrayed us symbolically as an absurd world, revealing the tragic situation of human beings in modern society and the incompatibility of man and society. · Translator