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谭乃麟的画,展卷即能够在瞬间能给你一种蓬勃、旺健的精神气息的贯注,面对他的画,我们的心灵犹如被质朴的山野之风吹拂,一切一己小我的烦恼,顿时就会烟消云散。毫无疑问,谭乃麟的这样的“现实主义”的画风,比起那些受抽象表现主义、结构主义、符号学影响而出现的颓废、泼皮式的作品,显现得画面更具有震撼人心的力量。因为,在他的现实主义的风格样式中,他一方面没有摒弃抽象表现主义、结构主义、符号学这些元素对绘画的影响,另一方面,则是以高超的艺术思维和高超的技法手段,把它们统统隐含在具象写实的笔墨语言和造型形态之中。这正是中国的儒家文化所
TAN Nai-lin’s paintings and scrolls can instantly give you a vigorous, energetic and energetic focus. In the face of his paintings, our hearts are like the winds of the rustic mountains and lakes, all the troubles of myself, Suddenly disappear. There is no doubt that such a “realism” style of painting by Tan Nalin is even more striking than the decadent and splashy works that have come under the influence of abstract expressionism, structuralism and semioticism power. Because, in his style of realism, he did not abandon the influence of the elements of abstract expressionism, structuralism and semiotics on the painting. On the other hand, he used superb artistic thinking and superb techniques, Put them all implicit in the realistic and realistic language and shape of the pen and ink. This is precisely the Confucian culture in China