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在《玄武湖之春》音乐会上,我院演出的民族器乐专场中的绝大部分曲目,都是本院师生近年来的新作。这些作品不论在表现生活的深度上,或是形式的创新上,较之过去都有了不同程度的提高。扬琴独奏曲《樱花》,是这些作品中的一首。《樱花》原是一首日本民歌。它那优美动听的旋律,深受日本人民的欢迎与喜爱。近年来,随着中日友谊的不断发展,它又传入我国,同样给人们留下了深刻的印象。扬琴独奏曲《樱花》,就是芮伦宝同志根据原来的民歌改编而成的。乐曲一开始,是一个引子。在引子中最先出现的是主题的核心音调,它的八度强奏,令人振奋。引子的后半部分,采用主题音调四度上行模进的手法,进一步加深了人们对核心音调的印象。又经过几次由高而低、自下而上大幅度的连续进行,才使自由而奔放的引子逐渐平静下来,导入了富有魅
At the “Xuanwu Lake Spring” concert, most of the repertory performances of the national instrumental music concerts in our college are new works by our teachers and students in recent years. These works have seen varying degrees of improvement over the past, both in terms of their performance of life and in the form of innovation. Dulcimer solo “Sakura”, is one of these works. “Sakura” was originally a Japanese folk song. Its beautiful and melodious melody is deeply welcomed and loved by the Japanese people. In recent years, with the continuous development of the friendship between China and Japan, it has also passed into our country and similarly left a deep impression on people. The dulcimer solo “Sakura” is based on the adaptation of the original folk song by Comrade Rui Lunbao. The beginning of the song is an introduction. Among the first to appear in the introduction is the theme’s core pitch, which is exhilarating by its octave. The second half of the introduction, using the theme of the four-dimensional upward mode of entry, to further deepen the people’s impression of the core tone. After a few times from high to low, a substantial continuous bottom-up, only free and unrestrained priests gradually calm down, the introduction of wealthy