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不久前出版的《十作家批判书》 (陕西师范大学出版社 1999年 11月出版 )在文坛内外引起强烈反响 ,褒贬不一。我们希望听到不同的声音 ,更希望文坛摆脱浮夸吹捧的庸俗风气以及各种“自耗” ,也即不利于文学进化与发展的熵效应。如果说 2 0世纪中国文学没有给世界留下多少大师级的文坛巨匠 ,那么我们希望 2 1世纪的中国文坛能够真正出现“百花齐放、百家争鸣”的繁荣景象 ,为中国乃至世界范围的读者提供丰富的精神食粮。为此 ,我们特邀部分从事文学、美学、语言和经济管理研究的中青年学者对《十作家批判书》及其相关现象展开讨论 ,希望能够引发读者对有关问题的进一步思考。
Not long ago published “Ten Writer Criticism” (Shaanxi Normal University Press, November 1999 publication) aroused strong repercussions inside and outside the literature, mixed. We hope to hear different voices and hope that the literary world will get rid of the vulgar and vulgar vulgarity as well as all kinds of “consumptions”, that is, the entropy effect that is detrimental to the evolution and development of literature. If 20th century Chinese literature did not leave much masterpieces for the world, then we hope that the Chinese literary world in the 21st century can truly enjoy the flourishing prosperity of “letting a hundred flowers blossom and a hundred schools of thought contend,” so as to provide readers rich in China and the world with rich Spirit food. For this reason, young and middle-aged scholars engaged in the research of literature, aesthetics, language and economic management have invited some of them to discuss the “Ten Critics of Writer” and its related phenomena in hopes of arousing readers’ further consideration of relevant issues.