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《周易》是中华文化的元典,是古代文论的文化根基。从文论的角度来看,《观卦》中“观我生”讲求的修美己德与文论中关于创作主体道德修养息息相关;仰观俯察的观物方式又需要创作主体有广博的识见;“观民设教”的教化思想直接启发了汉代风化说;观物取象又是古代文论关于“心物”关系的最早展现。《周易》之“观”的观者、观物方式对于古代文论创作主体论的诸多方面有着启示作用。
“Book of Changes” is a patriarchal of Chinese culture, is the cultural foundation of ancient literary theory. From the perspective of literary theory, the cultivation of the United States and Germany, which is emphasized in “Guanshuisheng” in “Gua Gua”, is closely related to the moral cultivation of the creative subject in the literary theory. The observing method of looking upwards also requires extensive knowledge of the creative subject . The enlightenment thought of enlightening the people enlightens the weathering of the Han Dynasty directly. The taking of the objects is also the earliest manifestation of the relationship between the heart and the mind in ancient literary theory. The viewers and objects of “view” of “Book of Changes” have enlightenment on many aspects of the subject theory of ancient literary creation.