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记得年逾古稀的梅葆玖先生在反思京剧改革时说过:“京剧改革,必须心中装着观众。在父亲梅兰芳的心里,第一是观众,是不了解京剧的观众;第二是观众,是心甘情愿来买票的观众;第三还是观众,是看了还想看的所谓回头客的观众。我们的精力、财力要用在演员的表演上,而不要看低了观众的审美水平,过多地在外包装上花钱费力,这不仅给国家造成浪费,还破坏了京剧在观众中的影响力,使之久振不兴。”其实,梅老先生的这番话,不仅对京剧走出目前的困境提出了很好的建议,而且对于话剧走出困境也是十分有帮助的。
Recalling the seventy-year-old Meibao Jiu reflect on the reform of Peking Opera said: “Peking Opera reform must be filled with spectators in the heart of his father Mei Lanfang, the first is the audience, do not understand Beijing Opera audience; the second is The audience is willing to come to buy the audience; the third is the audience, is watching the want to see the so-called repeat visitors. Our energy, financial resources to be used in the performer’s performance, rather than lower the audience’s aesthetic level, Excessively spending money on the packaging, which not only caused the country to waste, but also undermined the Peking Opera influence in the audience, so that the long period of vibration. ”In fact, Mr. Mayo’s remarks, not only for Beijing Opera Out of the current predicament put forward good suggestions, but also very helpful for drama out of the woods.