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荒诞剧在欧美50年代才出现在舞台上,这种戏剧形式到1961年才由英国著名戏剧评论家马丁·艾斯林定名。据施盛荣等编的《荒诞派戏剧集》前言中称:荒诞(absurd)一词,由拉丁文(surdus)(耳聋)演变而来,在音乐中用来指不协调音,在哲学上指个人与其生存环境脱节。在已经面世的荒诞剧目中,著名的有法国贝克特的《等待戈多》、尤奈斯库的《秃头歌女》、英国品脱的《生日晚会》及美国阿尔比的《动物园的故事》等。其中《等待戈多》是两幕剧,它表现两个流浪汉在荒野中等待戈多,戈
The absurd drama appeared on the stage only in the 1950s in Europe and the United States. This form of theater was not named in 1961 by the famous English drama critic Martin Esslin. According to a preface by Shi Shengrong et al., “The Absurd Drama Series,” the term absurd, evolved from surdus (deafness), used in music to refer to incoordination, refers philosophically to individuals Out of touch with its living environment. In the absurd repertoire that has appeared, famous Beckett of France waits for Godot, Younescu’s Bald Girl, British Pint’s Birthday Party and Albi’s Zoo Story. . Among them, “Waiting for Godot” is a two act, which shows that two tramps waited for Godot in the wilderness,