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20世纪30年代以来,清代“梨园花谱”逐渐成为戏曲史研究的一种材料,其价值已得到学界的充分肯定。进入新世纪以后,相关研究角度多样、新见迭出。然而,花谱研究虽成绩斐然,但学术积累相对薄弱,亟待进一步的深入与展开。本文作者建议加强三个向度的考察:其一,对梨园花谱的文学特质的整体性观照;其二,促进以梨园花谱为切入点的跨学科研究的广度与深度;其三,可将梨园花谱与清代戏曲史、演剧史的具体问题勾连在一起,以拓展研究空间。
Since the 1930s, the Qing Dynasty “pear orchard flower ” has gradually become a material for the study of opera history, and its value has been fully affirmed by the academic circles. After entering the new century, the relevant research perspective varied, see each other new. However, although the research on flower spectrum has achieved great success, the academic accumulation is relatively weak and needs to be further deepened and expanded. The author suggests strengthening the investigation of three dimensions: first, a holistic review of the literary qualities of the pear orchard; secondly, promoting the breadth and depth of interdisciplinary research with pear orchard flower patterns as the starting point; thirdly, The pear orchard flower spectrum and the Qing Dynasty drama history, the history of drama linked to the specific issues in order to expand the research space.