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作为40年代中国最重要的现代主义诗歌批评家,袁可嘉诗歌批评体系的核心是“新诗现代化”这一理论命题,这一结论在当前的袁可嘉研究中已经达成共识。通过对瑞恰兹、艾略特等诗歌理论有选择的借鉴,袁可嘉建立了“新诗现代化”的基本框架,并且以“现实、象征与玄学”的“新综合传统”为新
As the most important critique of modernist poetry in China in the 1940s, the core of Yuan Kejia’s poetry criticism system is the theoretical proposition of “the modernization of new poems”. This conclusion has reached a consensus in the current study of Yuan Jiajia. Through the selective reference to the poetry theories such as Raciz and Eliot, Yuan Kejia established the basic framework of “the modernization of new poems” and is based on the “new comprehensive tradition” of “reality, symbolism and metaphysics”