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我今天讲的题目叫《一个戏曲剧本的诞生》,主要贯彻我创作的三个基本观点,第一、主题的提炼;第二、人物陌生化;第三、独特的叙述框架。这三点讲得多了,我称之为“老三篇”。《小乔初嫁》就是我自己践行“老三篇”的过程。同样的题目与内容,我已在中国戏曲学院戏文系、全国高级编导研修班等好几个讲座讲过,我又不是传教士,为什么到处讲?因为我觉得戏剧,特别是戏曲文学这一块,挺荒漠的。我呢,江湖漂泊这些年,好歹有些积累,说出来与大家分享,自以为有给西北缺水地区捐赠一
The topic I am talking about today is “the birth of a drama script.” It mainly carries out three basic ideas that I have created: first, the refinement of the theme; second, the defamiliarization of characters; and third, the unique narrative framework. These three stresses a lot, I call it “the third chapter.” “Little Jo first married” is my own practice “third”. I have already talked about several lectures held by the Department of Theater Arts of the Chinese Opera Institute and the National Advanced Director Program, and I’m not a missionary. Why do I talk everywhere? Because I think drama, especially opera literature, is very similar Desert I, rivers and lakes wandering these years, whatever the outcome, some accumulation, say it to share with you, think they have to donate a water shortage in the northwest