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虹影在中国文学论坛中一直保持着犀利而诡秘的风格,她用咄咄逼人的格调,描写出最极端的女性经验,以女性主义和创伤叙事视角来解读时代的变革,以“站在边缘”的姿态进入历史并且把握时代。通过《好儿女花》和《饥饿的女儿》,塑造出小虹影和母亲这两个典型的人物形象,虹影走向了自我忏悔和跨越创伤的道路。然而,忏悔并不是女性眼界的目的地,虹影的十部长篇小说中深刻表现着虹影女性主义和创伤叙事的趋向与发展脉络,由战争与革命到创伤
Hong Ying has always maintained a sharp and secretive style in the Chinese Literature Forum. She describes the most extreme feminine experiences in an aggressive style, interprets the changes of the times from the perspective of feminism and trauma narration, “Attitude into history and grasp the times. Through ”Good Flowers“ and ”Hungry Daughters", I create the two typical characters of Xiao Hongying and mother. Hongying moves to the path of self-confession and cross-trauma. However, repentance is not the destination of feminine horizons. The ten novels of Hong Ying profoundly reflect the trend and development of Hong Ying feminism and narrative of trauma, from war and revolution to trauma