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《乐记》是我国音乐美学思想史中最完善、最早的一部文献,其音乐美学思想体系的创作主要是建立在先秦时期礼乐思想与文化的基础上,《乐记》包含了丰富的音乐美学思想,特别是对我国古代音乐审美理论的形成做出了巨大贡献。基于《乐记》的重要历史意义与现实价值,本文拟从《乐记》的音乐“辩证”思想、音乐“教化”思想、音乐“和乐”思想以及音乐美学思想的重要现实意义这四个角度对《乐记》的音乐美学思想进行深入的探析。
“Music Notes” is the most complete and earliest literature in the history of music aesthetics in our country. The creation of its music aesthetics system is mainly based on the thought and culture of ritual music during the pre-Qin period. “Music Notes” contains a wealth of Music aesthetics, especially for the ancient Chinese aesthetic theory of music has made a tremendous contribution. Based on the important historic significance and realistic value of “Yue Ji”, this paper attempts to analyze the music from the perspective of music, dialectics, music, education and music, music and music aesthetics Important practical significance of these four angles of “music” music aesthetic ideas in-depth analysis.