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一、追求阳刚之美 在当代山水画坛,具有阳刚之美的作品已不多见了。在当今中国改革开放、民族精神日益振奋的历史条件下,山水画不应只有轻歌曼舞、小桥流水,更应该有黄钟大吕、高山大海,更应该注重表现崇高、雄伟、充实、博大的境界。我向往和追寻这种壮美,为此,曾两次到西南藏区领略高原的风采。 大自然和人一样,是有生命、有精神的实体。青藏高原的雄奇瑰丽无疑是在演示着人的无穷魅力。人通过观察、体会自然,可以观照自身。而表现自然,创造一种不同于直观感受的第二自然的山水画艺术,更是以审美的方式,既满足了人类崇敬自然、亲近自然的情感,又使人类通过艺术中的自然,对自己的内心和行为进行审视和反思,从而获得启示。同时,青藏高原独特的人文和自然的风貌,形象化地体现和印证着中国古代哲学中天人和谐、人与自然统一的思想。在当今越来越物质化了的世界里,这无疑是最古老,而又最具现代性的思想。
First, the pursuit of the beauty of masculinity In contemporary landscape painting, masculine beauty works have been rare. Under the historical conditions of today’s China’s reform and opening up and the increasingly prosperous national spirit, the landscape paintings should not only be choreographed but also flow through small bridges. There should be Huang Zhongdalu and the mountains and the sea, and more should be paid attention to showing lofty, majestic, substantial and broad realms. I aspire to and pursue this magnificent, for which purpose, twice to the southwest Tibetan areas enjoy the style of the plateau. Like nature, nature is a living, spiritual entity. The beauty of the Qinghai-Tibet Plateau undoubtedly demonstrates the infinite charm of people. People through observation, experience nature, you can observe itself. However, to express nature and create a second natural landscape painting art different from the intuitive feeling is to satisfy the man’s human feelings of reverence for nature and nature, and to enable mankind, through the natural arts, Heart and behavior of the review and reflection, so as to gain inspiration. At the same time, the unique cultural and natural landscape of the Qinghai-Tibet Plateau vividly embodies and confirms the ideology of harmony between man and nature and the unity of man and nature in ancient Chinese philosophy. In today’s increasingly materialized world, this is undoubtedly the oldest and most modern thought.