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考察中国古代戏剧的发生经常从周秦“优人”活动表现出的戏剧特征开始,这个时间段恰恰是《礼记》对话文献整编与传播的初始阶段。《礼记》程式对话可供“模仿”的特征触及到戏剧的本质——对动作、语言及人物内心的“模仿”。这种对话可视作虚拟性的叙事文本,其虚拟性展开与戏剧有相通之处。中国古代“礼”具有相当的表演要求,戏剧需要借助演员的言行“讲述”故事,这两种表演在起点上有相通之处。《礼记》对戏剧的发生有着相当大的促进作用。
Investigating the occurrence of ancient Chinese drama often begins with the dramatic features shown by Zhou Qin ’s “The Good Man ”. This period of time is precisely the initial stage of the reorganization and dissemination of Dialogue literature of Book of Rites. The features of the Book of Rites program dialogue for “Imitation ” touch the essence of the play - “imitation” of the actions, words, and characters. This kind of dialogue can be regarded as a virtual narrative text, and its fictitiousness has something in common with drama. In ancient China, Ritual had quite a performance requirement. The drama needs the actors’ words and deeds to tell the story. The two performances have similarities at the starting point. “Book of Rites” plays a significant role in promoting drama.