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最近,有专家发表“书法是文化不是技术”的观点,在书法界引起相当反响。它的意思就是,学习书法,不应该把精力用在永字八法、间架结构、提按顿挫等技术的苦练上,而应用在研读中外哲学、史学、文学等文化上。其实,这一观点并不新鲜。很早以前,美术界的专家便提倡“绘画是文化不是技术”。于是,丢弃了技术,要有文化—这个文化,可以通过“研究”《周易》、老庄、佛教、黑格尔、海德格尔而获得现成品、装置、行为、观念艺术等等,
Recently, some experts have expressed the opinion that “calligraphy is a culture not a technology” and have aroused considerable repercussions in the calligraphy community. It means that learning calligraphy should not be used in the hard-working techniques of the eternal eight methods, the inter-frame structure, the setbacks, etc., but should be applied to the study of Chinese and foreign philosophies, historiography, and literature. In fact, this view is not new. Long ago, art experts advocated “painting is not technology”. Therefore, discarding the technology and having a culture - this culture can be obtained through the study of the Book of Changes, Lazhuang, Buddhism, Hegel, Heidegger and so on, obtaining ready-made products, installation, behavior,