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动画电影《大鱼海棠》在剧情的设计方面,深受道家学说的影响,对生死、自由、拯救这样的命题有着独到的见解,看似游历于神境,实则在借喻深邃的文化哲理;美术编创突破了传统国产动画的旧例,以中国红的色彩来暗示民族性的纯粹,百余个人物形象的塑造,为影片的戏剧情节演绎拓宽了空间;电影配乐方面,具有东方色彩的配器构成与中西调式调性混合交融,在保持中国风的同时,具有国际化的包容性,为影片增色许多。
In the design of the plot, the animated film “Big Begonia” has its own unique viewpoints on the themes of life and death, freedom and salvation. It seems to travel in the realm of God, but in fact, it is a metaphorical and profound cultural philosophy. Art The creation of an old example that broke through the traditional domestically produced animations hinges on the purity of national character and the shaping of more than one hundred personal figures with the red color of China to broaden the space for deducing the drama’s plot. For the film soundtracks, Western blend of tonality mixed blend, while maintaining the Chinese style, with international inclusiveness, many of the film to enhance color.