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收藏与投资:刘先生,过去在教学研究方面,您主要偏向于中外美术史方面,尤其是中国美术史方面的一些个案研究成果,令人耳目一新。近年来,在写作之外,也经常在展览会上看到您的一些油画作品,题材多为极具中国传统文化氛围的园林,令人印象深刻。由此我们想到您的艺术创作极具民族化倾向,您觉得“油画民族化”这个概念的提出是否合理?刘伟冬:“油画民族化”确实是中国艺术界一直在探讨的问题。作为一个地道的舶来品,油画传入中国很早,在传入中国后,由于其丰富的表现力对中国绘画产生了很大的影响。今天,油画作为一个被广泛认同
Collection and Investment: Mr. Liu, In the past, in teaching and research, you mainly focused on the history of Chinese and foreign art, especially in the history of Chinese art. Some case studies are refreshing. In recent years, besides writing, I often see some of your oil paintings at the exhibition. Most of the paintings are landscape gardens with Chinese traditional culture. They are impressive. Therefore, we think your artistic creation is very nationalistic. Do you think it is reasonable to put forward the concept of “nationalization of oil painting”? Liu Weidong: “Nationalization of Oil Painting” is indeed a topic that the Chinese art circles are always discussing. As an authentic exotic, oil paintings were introduced into China very early and, after they were introduced to China, they had a great influence on Chinese painting because of their rich expressiveness. Today, oil painting is widely recognized as one