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邹:上次《大风歌》问答印象深刻,随大流的艺术经验也是伪经验。叶:从众也不全错,比如诚信……这是人类文明的基石(还应当包括科学发明)。邹:一九七二年画《唐风》让人好奇,为什么是这个时候？叶:那时起哄,说武则天是大法家,画唐朝人也没人管了。趁博物馆唐代文物展索画,也就画起《唐风》。邹:那时工农兵画展特火,绝没有这类中国画。叶:画《唐风》是下班后,虽是专业画家却不是职业画家,工作中有组织画展之事,记得第一次在北京当画展评委,才知道画画可以拍照,再制成幻灯投放到纸上描出来,这还是
Zou: The last “wind song” question and answer impressed, with the artistic experience of the crowd is also a pseudo-experience. Leaves: not all from the crowd, such as integrity ... This is the cornerstone of human civilization (should also include scientific inventions). Zou: Drawing “Tang style” in 1972 is curious. Why is this time? Yeh: At that time, it started to stir up and said that Empress Wu was a Dafa practitioner. Take advantage of the Museum of Tang Dynasty Cultural Relics Painting, also drew “Tang style.” Zou: At that time, the special exhibitions of the workers, peasants and soldiers were absolutely no such kind of Chinese paintings. Leaves: painting “Tang style” is after get off work, though professional painter is not a professional painter, organized exhibitions in the work of the matter, remember the first time in Beijing when the exhibition judges, we can know that painting can take pictures, and then made into a slide show Draw it down on the paper, this is still