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中国年画的发展引起外国研究者的关注。日本池田寿子认为,在政治性和大众性这两点上中国当代年画具有特殊魅力和美学价值。安琪认为,民间艺术在民俗活动中展开,它既是民俗文化的形象载体,也是民族精神的象征。刘亚平认为,民间吉祥剪纸作为人类精神活动的一种物化形态,其造型与民俗观念是一种互相包含的文化现象。 山西永济出土的唐代铁牛、铁人,为研究中国古代美术史提供了新的实物资料。今年适逢丁丑,对牛的研究更多了一层意味。宁涛通过对传统艺术中丰富多彩的猪的形象的研究,认为其中渗透着来源于古老猪崇拜的民族群体强烈的主观情感色彩。 王树村先生是当代成就卓著的民间美术学家。他以对祖国和民族文化的挚爱深情,在民间美术这块土地上默默耕耘半个多世纪,对该学科的建设做出了具有重要的贡献。
The development of Chinese New Year paintings has attracted the attention of foreign researchers. Ikeda Shoko in Japan believes that contemporary Chinese New Year pictures have special charm and aesthetic value in terms of politics and popularity. Angel thinks that folk art unfolds in folk activities, which is not only the image carrier of folk culture, but also the symbol of national spirit. Liu Yaping that folk auspicious paper-cut as a spiritual activity of human material form, its modeling and folklore concept is a mutual cultural phenomenon. Iron Man and Iron Man of the Tang Dynasty unearthed in Yongji, Shanxi Province, provided new material information for studying the history of ancient Chinese art. This year coincides with Ding Ugly, the study of cattle more layer means. Ning Tao through the study of the rich and colorful pigs in traditional art, that is permeated by a strong subjective emotional color from ethnic groups worship ancient pigs. Mr. Wang Shucun is an outstanding contemporary folk art expert. With his affection for his motherland and national culture, he has worked hard for more than half a century on this land of folk art, making an important contribution to the construction of this discipline.