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还在年少之时,听长辈们议论电影,往往提到美国有个“好莱坞”。而我真正对“好莱坞”有所了解,即知晓它在世界电影发展历史上的地位及其一系列代表作品,那是在成年从事电影美学研究工作之后的事。“好莱坞”恐怕是世界上拥有电影观众最多的一个声名显赫的大制作集团。它走了一条完全与“学院派”电影(如瑞典的伯格曼的电影那样)相反的道路,靠“明星制”和颇具魅力的戏剧结构、叙
Still young, listening to elders talking about the movie, often referred to the United States have a “Hollywood.” And I really know about “Hollywood,” that is, I know its position in the history of the world’s movie development and its series of representative works. This is after adults engaged in the study of film aesthetics. “Hollywood” is probably the most famous big production group in the world with the largest movie audience. It took a path that was completely opposite to the “academic” movie (such as the film by Bergman in Sweden), by the “star system” and the attractive theater structure,