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山水画在其千余年的发展史中,一直在变,不同历史时期呈现出不同的面貌特征,从而演绎为不同体格的山水画作品。20世纪以来山水画的图式、题材、功能,以至深层的文化观念都发生了前所未有的变化。本文通过山水画“挪移”式创新实践的分析,对中国新山水画发展中,这一特殊且必要的过程加以论述,凸出“挪移”现象存在的局限性,强调其时代身份,及其在山水画价值秩序中的地位。
Landscape painting in its more than a thousand years of development history, has been changing, different historical periods showed a different facial features, which deduce into different physique landscape works. Since the 20th century, the landscape paintings, themes, functions, and even deep cultural ideas have undergone unprecedented changes. This paper analyzes the special and necessary process in the development of Chinese landscape paintings by highlighting the limitations of the phenomenon of “diversion”, emphasizing the identity of the times and Its status in the landscape order of landscape painting.