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最近读了陈立忠先生的楷书作品感触颇深,精致的楷书写得灵动流畅,规范严整,颇见功力,满纸散发着古典笔墨的幽香和韵味,字里行间洋溢着一种发自内心的情愫,带来一股清新之风。立忠先生主临柳公权、王羲之,以及时下学书人多避而远之的《郑文公碑》,他贪婪汲取,借助柳公权的结体,用兰亭贴养韵,取《郑文公碑》强筋骨的用笔,在他的书作中体现了有机结合。然而,当今书坛,不知何故,说起楷书很多人不以为然,展览上楷书的身影越来越模糊,那些先天营养不
Recently read Mr. Chen Lizhong’s regular script works feel deep, delicate regular script written smart and smooth, norms and strict, quite skill, full of paper exudes the fragrance and charm of classical brush ink, between the lines filled with a heartfelt emotion, belt To a fresh style. Mr. Li Zhong approached Liu Gongquan and Wang Xizhi, and “Zheng Wengong Monument”, which he learned to avoid when he was a student, and he learned from greed. With the help of Liu Gongquan, he nurtured rhyme with Lanting and took the strong bones The pen, in his book reflects the organic combination. However, today’s calligraphy, somehow, talking about a lot of regular script disagree, the regular script on the show more and more blurred, those who are not nutrition