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皴法的发展演变历程,如果按照其美学功用角度来看,可以分为前期的“图真”和后期的“表意”两个阶段。前期由唐至宋,皴法的作用主要是为写实状物而创造应用的,它的地位还居于次要层面,并不是审美的中心;后期则经历了元、明、清三代,此时的皴法已经与笔法、墨法有了更加密切的关系,依靠工具材料的特性而具有了独立的审美价值,成为画家表现的对象之一。这个过程,也可以看做是由“皴”到“皴法”的一种转换,一种由
According to its aesthetic function, the development and evolution of law can be divided into two stages: early stage and late stage. In the early period from Tang to Song Dynasty, the role of law was mainly created and applied for realistic objects, and its status was at the secondary level, not the center of aestheticism. Later, it experienced the three generations of Yuan, Ming and Qing Dynasties. At this time, Has been with the brushwork, ink law has a more close relationship, relying on the characteristics of the tool material has an independent aesthetic value, as one of the objects of the artist’s performance. This process can also be seen as a conversion from “皴 ” to “皴 法 ”, a