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《北洋画报》是民国时期北方最大的画报,包含极为丰富的信息,其中最惹人注目的是民国女性的照片、新闻,以及文学作品,这些内容构成《北洋画报》的女性书写。《北洋画报》的女性书写有两种视角:一个是男权视域下的女性书写,诸如对女明星形象的书写与男性猎奇心理、名士习气联系在一起,对女运动员形象的书写与民族国家建构联系在一起,传统女性形象则与男权社会中传统封建伦理道德观紧密相连。此男权视域下的女性书写,建构出民国天津都市文化体的多个侧面;一个是女性的视角,诸如女画家、女记者、女律师等现代职业女性通过现身说法,展示出经济独立、思想独立、人格独立的魅力。通过女性的自我展示,建构出民国天津都市文化积极进取的一面。
The Beiyang Pictorial is the largest pictorial newspaper in the north of the Republic of China. It contains extremely rich information, most notably the photographs, news and literature of the Republican women, which constitute the female writings of the Beiyang Pictorial. The Beiyang Pictorial has two perspectives: one is female writing under the patriarchal line of sight, such as the writing of the female celebrity’s image and the psychology of male curiosity and celebrity, the writing of female athlete’s image and the nation-state Constructed together, the traditional image of femininity is closely linked with the traditional feudal ethics in patriarchal society. The female writing under this patriarchal line of vision constructed many aspects of the urban cultural body of the Republic of China in Tianjin. One is the female perspective, and modern professional women such as female painters, female reporters and female lawyers demonstrate their economic independence and thinking Independent, independent personality charm. Through the women’s self-exhibition, construct the positive urban culture of Tianjin in the Republic of China.