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在陕西众多的秦腔旦角演员中,齐爱云也许不是最有天分和资质的,但却是最能吃苦、最用功的。早在二十多年前,秦腔和中国戏曲处于低谷时,当时的陕西省振兴秦腔办公室组织了一批有表演前途的青年演员,向20世纪30年代因故滞留西安的京剧表演名家李德富先生学习旦角水袖表演技巧。其中,既有本不愿来学被院团派遣而来的一批秦腔名伶,也有想学但资质天分却难以为继的旦角演员。我记得,在西安尚友社那个不大的排练厅内,一帮被看好的青年演员,跟随老师一招一式
Among Shaanxi’s many actors and actresses, Qi Aiyun may not be the most talented and qualified, but it is the most able-bodied, hard-working. As early as 20 years ago, when Shaanxi opera and Chinese opera were at a low ebb, Shanxi’s then revitalized Shaanxi Opera Office organized a group of young performers who showed promising performances and studied with Mr. Li Defu, the Beijing opera mastermind who left Xi’an for some reason in the 1930s Dan angle sleeve performance skills. Among them, not only do not want to learn to be dispatched by the hospital delegation of a group of Shaanxi opera, but also want to learn but qualified talent but unsustainable Dan actor. I remember that in Xi’an Shang You Society is not that small rehearsal hall, a group of promising young actors, follow the teacher a trick