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说到作为商业电影典范之一的香港电影,就不能不提到其中的一个重要类型——黑帮片。而提到黑帮片,就不能不提到一个人——杜琪峰。从《暗花》、《真心英雄》、《枪火》再到《黑社会》,杜琪峰终于确立了自己在香港电影中“黑帮片教父”的地位。《黑社会》没有让人失望。先是作为香港电影该年唯一代表入围法国戛纳电影节竞赛单元。再在2006年的香港电影金像奖上击败呼声极高的卖座电影《如果·爱》,一举获得了最佳影片、最佳导演、最佳剧本、最佳男演员四项重量级大奖,完成并成熟了杜氏影片作者电影、商业电影的双足路线。
Speaking of Hong Kong films, one of the most important commercial films, we can not but mention one of the important types of gang films. Mention the gangster film, you can not fail to mention a person - Johnnie To. From “Dark Flower”, “True Hero”, “Gunfire” to “Underworld,” Johnnie To finally established his position as a “gangster godfather” in Hong Kong films. “Underworld” did not disappoint. First Hong Kong film as the only representative of the year nominated for the French Cannes Film Festival Competition unit. And then at the 2006 Hong Kong Film Awards to beat the crying high blockbuster movie “If love”, won the best film, best director, best screenplay, best actor four heavyweight awards, completed And mature Dun Du film author, commercial movie biped route.