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三、多少反为突出其多,只写其少;为突出其少,只写其多。 1.以多写少人们平时有这样一种心态:田地荒芜,寸草不生。如直写其百亩无苗,光秃一片,未必觉其如何荒芜。不若说地上稀稀落落地长着几根黄弱的小苗,在田地里瑟瑟地抖着,就更显得荒凉了。比如李白的《月下独酌》。本意是写自己的孤寂无伴,但写起来却热闹得很: 花间一壶酒,独酌无相亲。举杯邀明月,对影成三人。我歌月徘徊,我舞月零乱。醒时同交欢,醉后各分散。永结无情游,相期邈云汉。又是“交欢”,又是歌舞,哪还孤独呢?但细一看,“对影成三人”,不过是清冷的月和无情的影而已。那交欢和歌舞不过是独自在那儿发疯罢了。在表面热闹的场景中隐显着巨大的孤独之情。
Third, how much anti-prominence is much more, only write less; to highlight its less, write only more. 1. To write more people usually have such a state of mind: barren fields, grass is not born. If you write directly to its acres of seedlings, bare one may not feel how barren. Not to say that the ground sparsely populated with a few yellow weak seedlings, shivering in the fields, it is even more desolate. For example, Li Bai’s “monthly discretion.” The intention is to write your loneliness, but it is very lively write: spend a pot of wine, independent blind date. Toast to the moon, the film into three. I wander the song, I dance month mess. Awake with the exchange of joy, drunk after the dispersed. Yongjie relentless travel, phase 邈 Yunhan. But also “love”, but also the song and dance, which is still lonely? But a closer look, “the shadow into three”, but is the cool moon and the shadow of the merciless only. It is nothing but maddening dance and dance alone. In the lively scene in the hidden tremendous solitude.