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过去,人常说“过大年,唱大戏”。如今,那些不同地域不同风格的大戏又是怎样的状况呢?“女娲娘娘补了天,剩块石头成华山。鸟儿背着太阳飞,东边飞到西那边……”激越高亢的陕西老腔,这几年一下子火了起来。很多人接受不了那“锃破萨”(陕西方言:“喊破头”之意)的风格,但看得多了,便能感觉出其中酣厚醇和的味道。更为重要的是,这一带有关中古老文化鲜明特色的剧种,是因为反复创新,才找到了一条与当代文明相融合的路子,从而也给自己
In the past, people often say “too big, singing opera ”. Now, those different styles of drama in different regions is what kind of situation? “Nuwa empress made up the sky, the remaining pieces of stone into Huashan .Both birds fly in the sun, the east fly to the west side ... ...” Shaanxi old cavity, all of a sudden the fire up. Many people can not accept the style of “萨 萨 Sa” (Shaanxi dialect: “shout”), but when you look at it more, you can feel the taste of the wine. More importantly, this series of operas about the distinctive features of the ancient Chinese culture was created only after repeated innovations to find a way to integrate with the contemporary civilization and thereby give itself