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近年来上映的某些惊险片,在观众中颇多非议。这使得我们在投入《蓝盾保险箱》的创作时,心中不免惴惴然;但同时又存着一种探索的念头:观众不满的究竟是什么?应从哪些方面努力,以使惊险片的质量有所提高? 追求艺术真实“胡编乱造,漏洞百出,虚假不可信”——这是最招致观众反感的一大弊端。我们在创作中,把影片的真实感作为自己的第一追求。剧本虽然以解放初期发生在南京的一个真实案例为素材,但我们并不满足于此,而是通过走访当年干警,查阅大量资料,从众多的案例中捕捉历史环境的真实感,从而构思出符合那个时代的人物特征和矛盾冲突。那是一个多么复杂的新旧更迭的年代!红旗刚插上伪总统府,人民热烈欢呼解放,渴望安居乐业。然而,盘踞南京二十余年的反动当局留下的,却是个盗
Some thriller films released in recent years have been criticized by many viewers. This allows us to invest in “Blue Shield safe” creation, the heart can not help but suddenly, but at the same time there is an exploration of the idea: what the audience is dissatisfied? What should be the efforts to make the quality of the thriller The pursuit of the true art of “making up a mess, full of loopholes, false untrustworthiness” - this is one of the most malcontent attracted the public one of the major drawbacks. We in the creation, the film’s realism as their first pursuit. Although the script is based on a real case of Nanjing in the early liberation period, we are not satisfied with this scenario. Instead, we are trying to capture the realism of the historical environment through numerous visits to large numbers of police officers, The characters and contradictions in that era. That is how a complex old and new era of change! Hongqi just plugged in the pseudo-presidential palace, the people warmly cheered emancipation, eager to live and work. However, what left behind by the reactionary authorities in Nanjing for more than 20 years was a stolen one