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《美术观察》1997年第4期刊载的林加冰《克服油画创作中的浮躁情绪》一文(以下简称“克文”),觉得文中有些概念不妥。贵刊目前为国内较权威之学术刊物,读者对其信赖程度较高,特提出讨论,恳请指正。 “克文”中指出要治理当前油画界的三乱——乱拔高、乱抽象、乱贴标签。其中针对“乱抽象”列举了令人触目惊心的画面,但在论述过程中却显露出作者对什么是抽象艺术在认识上存在谬误:“在当前我国油画界,却流行着一种乱抽象的恶习,在一些作者的笔下,或肢解人体,身首异处,或男性头骨、女性耻骨,或肉块削贴(应为“剔”),白骨片片;或酒瓶破罐、横七竖八,或大红大紫、糊涂一塌;或凹凸不平、疙里疙瘩;或碎片乱飞,杂
Lin Jia Bing, “Art Observation”, No. 4, 1997, “Overcome the Impetuous Emotion in the Creation of Oil Paintings” (hereinafter referred to as “Ke Wen”) finds some concepts wrong in the text. Your current magazine is more authoritative domestic academic journals, readers trust their higher level, especially put forward the discussion, please correct me. The article pointed out that it is necessary to govern the three chaos in the current oil painting circles - chaotic, random and abusive labeling. Among them, there are some shocking pictures about “random abstraction”. However, in the process of discussion, it is revealed that the author has a fallacious understanding of what abstract art is: “In our current oil painting circles, there is a chaotic abstract abuse , Or in the writings of some authors, or dismembering the human body, the body is different, or male skull, female pubis, or meat chipping (should be ”ticking"), Bone pieces; or bottle broken jar, crossbar, or red Big purple, confused; or bumpy, pimples; or debris flying fly, miscellaneous