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二人转艺术源于何时,来自哪里?二人转来自民间,这是毫无疑问的;但其民间性,也给考察它的具体产生时间带来了困难。李微在《东北二人转史》中写道:“据《中国戏曲志·辽宁卷》编辑部1985年发掘的一份资料载:锦州在雍正年间(公元1723年至1735年),已有蹦蹦艺人,艺名‘孙大娘’。公元1735年,孙收落魄的少年王蹇为徒,教授竹板、花棍及蹦蹦唱词。常在锦州西关老爷庙戏台、城内天后宫戏台、东关关帝庙土台子上演唱蹦蹦,二人扮成男女,被时人称为‘双玩艺’。此时孙大娘已足暮年,他年轻从艺,当在康末
There is no question that the duo’s art comes from where it came from, and that the duo’s turn came from the people. However, its folk character also posed difficulties in examining the specific time of its birth. Li Wei wrote in the History of the Northeast Hurricane: ”According to a data excavated in 1985 by the editorial department of“ Chinese Opera Records and Liao Ning Volume ”: Jinzhou had been bouncing during the Yongzheng period (1723-1735 AD) In the year 1735 AD, the young offspring of the deceased Wang Qiao was a disciple, teaching bamboo, flower sticks and bouncing lyrics. Often in Jinzhou Xiguan Laoyemiao stage, the city Tianhou Gong stage, the East off Emperor temple soil Taiwan stage singing bouncing, the two dressed as men and women, was known as the ’double play’ At this time Sun aunt has enough years, his young art, when Kang end