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“人文江南:吾土吾民系列油画邀请展”今天在浙江美术馆开幕了。这是继“传承西北”、“化境长城外”之后的第三站——江南四省一市(浙江、江苏、安徽、江西、上海)地区的大展。本次展览的规模无论从作者人数和作品件数,都比东北、西北前两个展区有所增扩。可以说是把整个“吾土吾民”系列油画邀请展推向一个新的高潮。从辽阔北域到秀美江南,我们从三次不同地区的展览中,不难感受到全国油画家们的热情参与和积极努力所结成的硕果。由此证明了本届中国美协油画艺术委员会的学术指导思想和策展主题乃至展示方式越来越为各地油画界所认同与支持。并策励我们有更多的信心迎接后续各展区需逐一完成所面临的任务与大量工作。自南宋以来,江南地域文化就以其鲜明的人文精神体现在不同门类的艺术作品
“Humanities Jiangnan: My Land Series Painting Invitation Exhibition ” opened today in Zhejiang Art Museum. This is the third stop after “Inheriting the Northwest” and “Transforming the Great Wall” - a major exhibition in the four provinces and one city (Zhejiang, Jiangsu, Anhui, Jiangxi and Shanghai). The size of this exhibition has increased from the number of the authors and the number of works in both the first two exhibition areas in northeast and northwest China. Can be said that the entire “My Land, My People ” series of oil painting exhibition to a new upsurge. From the vast north to the beautiful Jiangnan, we can easily feel the fruits of the enthusiastic participation and active efforts of the national oil painters from the exhibitions in three different regions. It proves that the academic guiding ideology, curatorial theme, and even the exhibition mode of the current Chinese Artists Association’s Oil Painting Art Committee are more and more recognized and supported by the oil painting circles across the country. And encourage us to have more confidence to meet the follow-up exhibition area to be completed one by one to face the tasks and a lot of work. Since the Southern Song Dynasty, the regional culture in the south of Yangtze River has been embodied in different categories of works of art with its distinctive humanistic spirit