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依广义神话论,《古文苑》收录的作品中保存了许多具有神话色彩的素材和片段,它们大致可分为神祇、神居、神物和神话事件四大类。我们从中可以挖掘出《古文苑》的神话文献价值;通过解读可发现:这些作品在艺术表现上是具体运用一些神话原型,将神话传说作为知识素养融进了作家的创作机制之中;这也反映出中古时期人们情系大地,乐生拒死,归依美善的神话思想。
According to the theory of broad mythology, many ancient mythological works contain many mythological materials and fragments, which can be divided into four categories: gods, gods, gods and myths. We can dig out the value of the mythological literature of the “Ancient Manyuan” from it. Through reading, we can find that these works use the mythical prototype concretely in the artistic expression and melt the myths and legends into the writer’s creative mechanism as knowledge accomplishments. It reflects the mythology that people in the Middle Ages sentimentally love the world and resist death and return to goodness.