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如果说在李玉导演的前两部作品中,《红颜》着力于描绘女性成长中青涩而暧昧的情感经验,《苹果》着力于社会底层的道德探讨,二者虽然风格迥异,在关注
If, in the first two works directed by Li Yu, “Hong Yan” focuses on portraying the sentimental and ambiguous emotional experience of female growth. The “Apple” focuses on the moral exploration at the bottom of society. Although the two are very different styles,