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咏叹调套曲是19世纪后期浪漫主义歌剧咏叹调最重要的形式,它由不同速度的唱段组合而成,用以揭示人物内心纷繁复杂的情感变化。《叶甫盖尼·奥涅金》作于1877-78年,其中著名的塔季扬娜“写信唱段”就是典型的咏叹调套曲形式。本文就三个方面来展开分析:一是内部结构的彼此独立;二是声乐、器乐主题的贯穿发展;三是速度的细致变换。
Aria Suite is the most important form of romantic opera aria in the late 19th century. It consists of airs of different speeds and is used to reveal the complex emotional changes in people’s hearts. “Yevgeny Onegin” was made in 1877-78, in which the famous Tatyana “Singing Aria ” is a typical form of aria tunes. This article analyzes three aspects: First, the internal structure of each other independent; Second, vocal music, instrumental themes throughout the development; Third, the speed of meticulous transformation.