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前不久,在北京民族文化宫上演了越剧《第一次亲密接触》,虽然时值“非典”肆虐之时,人人都戴着口罩以保持距离,笔者却第一次感受到戏曲竟然能与生活如此“亲密接触”,使人轻松走近现代青年的网络爱情故事。该剧没有采用传统的戏曲程式,以一种全新的语汇来演绎现代青年生活,这种全新的表现形式是对传统的戏曲程式的扬弃,使该剧产生了独特的艺术魅力,也使戏曲这一古老的艺术形式焕发了青春和活力。《第一次亲密接触》突破了戏曲原有题材的“超稳定”状态,也超越了程式的束缚,显露出戏
Not long ago, at the Beijing National Palace of Culture staged a “first intimate contact” with Yue Opera, everyone wore a mask to keep their distance while the “SARS” epidemic was on. However, for the first time, I felt that opera could actually be associated with life So “intimate contact”, people easily approached the network of modern youth love story. The play does not use the traditional drama program, with a new vocabulary to interpret the modern youth life, this new form of performance is the sublation of the traditional drama program, so that the drama produced a unique artistic charm, but also drama An ancient art form rejuvenated youth and vitality. “The first intimate encounter” has broken through the “ultra-stable” state of the original theme of the opera and also surpassed the bounds of the program to reveal the play