从西学到西行的回归——早期吴作人作品展

• 作 者: ArtChina
• 出 处: 艺术当代
• 发表日期: 2016年07期
• 关键词: 吴作人 西学 西行 中国美术 化归 中国艺术家 文化冲突 代代 本土 美术考古

西学·西行——早期吴作人(1927-1949)2016.6.16-7.22中华艺术宫在20世纪中国美术的自我现代化进程中,中西比较是一个贯穿始终的大命题。而如何对待西学、如何化归东方,又是近现代以来一代代中国艺术家都必须回答的问题。及至20世纪的30年代以降,西学的吸纳逐步开始与西方的前沿同步,同时留西归国的艺术家开始逐渐在本土的文化冲突潮流中,逐步通过

Western Learning and Western Traveling - Early Wu Zuoren (1927-1949) 2016.6.16-7.22 The Chinese Art Palace In the process of self-modernization of Chinese fine arts in the 20th century, the comparative study between China and the West is a great proposition that runs through. How to treat Western culture and how to turn it to the East is another issue that must be answered by Chinese artists from generation to modern era. By the 30s of the 20th century, the absorption of western learning gradually began to synchronize with the western frontier. At the same time, the artists who returned from western China began to gradually pass the tide of local cultural conflicts