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2006年3月8日中午,在距胶南市以西约30华里的一个偏僻山村的“绿泽画院”门前,一位自称青岛美协会员的中年男子,手里拿着一幅画好的油画,正苦苦等待该校校长。他说,他是慕名从青岛赶来应聘的。他神秘地告诉记者说,“画了半辈子的画,真没想到在这么个很不起眼的小山村里,竟然还有这么庞大的画家群体,听说所有的画都是由集装箱运往国外……”是什么吸引了这位专业人士只身跨海来到这里?这里究竟发生了什么?这也正是记者所要探求的东西。在这个纯本地人口只有350多人的小山村北头的村委会里,一个叫王承强的村委接待了我。
At noon March 8, 2006, a middle-aged man who claimed to be a member of the Qingdao Institute of Fine Arts held a painting in his hand in front of “Green Art Museum” in a remote mountain village about 30 Chinese miles west of Jiaonan. Painting, is waiting for the school principal. He said he is especially attracted to apply from Qingdao. He mysteriously told reporters that “painting for a lifetime painting, I really did not expect in such a very humble village, there is still such a large group of artists, I heard all the paintings are shipped by container ...” What attracted the professional to come here alone across the sea? What happened here? This is precisely what the reporter wanted to explore. In the northern village committee of this small mountain village with a population of just over 350, Wang Chengqiang, a village committee member, received me.