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建筑评论是一门模糊的学科，涉及记者、史学家、建筑师等众多的职业。建筑评论敢于作出自己的判断，在行业内以及行业与大众之间进行交流。建筑评论的理论基础涉及建筑学、美学、历史、城市规划等各个领域。现阶段的建筑评论进入一个普遍化的明星时代，现代主义和后现代主义的论战逐渐消失，折中主义已成为主题，解构主义不再引起社会性的争论，不同理论对立的集团已出现互相容忍和尊重。建筑评论的职责是面向大众和建筑师，要帮助建筑师把思维和推理的方法建立在可靠的基础上。然而，一般的传媒把极少数明星建筑师作为焦点。各种杂志连篇累牍地发表好奇的文章，虚构杰出的人物，有的杂志成为与当代明星串通和同谋的场所。建筑评论的伦理应该是：为大家都认识，为很多人所熟悉，不应是少数人的朋友。建筑评论家是那些自由的、好奇涉猎的、客观地关注建筑领域内各种动态和思索的人。建筑评论家有使大众醒悟的权利和义务。
Architectural reviews are a vague discipline involving journalists, historians, architects and many other occupations. Architectural reviews dare to make their own judgments and communicate within the industry and between the industry and the general public. The theoretical basis of architectural reviews involves various fields such as architecture, aesthetics, history, and urban planning. The current stage of architectural criticism has entered a generalized era of stars. The debate between modernism and postmodernism has gradually disappeared. Eclecticism has become the theme. Deconstructionism no longer causes social controversy. Different theoretically opposed groups have shown mutual tolerance. And respect. The responsibility of architectural reviews is to the general public and architects. It is necessary to help architects build their thinking and reasoning methods on a reliable basis. However, the general media has focused on a handful of star architects. A variety of magazines have published curious articles in vain, fictional characters, and magazines have become collusion with contemporary stars. The ethics of architectural criticism should be: For everyone to know, for many people are familiar with, not a few people’s friends. Architectural critics are those who are free, curious, and concerned about the various dynamics and thoughts in the field of architecture. Architectural critics have the right and duty to awaken the public.