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审美人类学研究自19世纪末由德国学者格罗塞所开创,德国学者埃米尔·斯特凡、美国人类学家博厄斯及其众弟子加以发扬光大,至20世纪60年代,始得到人类学与美学界的关注。审美人类学经历了学理基础上从“科学化”的实证研究到注重交流性的人文阐释这一转向、从器物形式研究发展为跨文化审美观念的比较研究。詹姆斯·费尔南德兹对赤道非洲芳人审美观之研究作为一个典型个案体现出审美人类学学科发展与学术转向的历程。
Since the end of the 19th century, the study of aesthetic anthropology was initiated by German scholar Grosse. German scholar Emil Stefan and American anthropologist Boas and their disciples started their studies. By the 1960s, anthropology and Aesthetics concern. Aesthetic anthropology has undergone a shift from the empirical study of “scientific ” to the humanistic interpretation of communicativeness on the basis of theory of learning, and from the research on the form of utensils to the comparative study of cross-cultural aesthetic concepts. As a typical case, James Fernandz’s study on the aesthetic outlook of the fangs in equatorial Africa embodies the course of aesthetic anthropology development and academic turn.