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自从大批进口大片一杀入咱中国电影院,一些吃电影饭的同胞们便吓得连声惨叫:中国的电影制片厂都该关门了!理由是:卖座的三大硬件:高投入、高科技和明星阵容,国产片都远不如进口大片,哪有竞争力? 其实,国产片“与狼共舞”并非什么新现象。早在20世纪三、四十年代,中国电影导演蔡楚生编导的《渔光曲》和《一江春水向东流》,就不在硬件方面与美国电影死拼,而是扬长避短,以社会性、艺术性、可看性等方面的智力软件取胜,切中社会热点,真实反
Since a large number of imported blockbusters reached our Chinese cinema, some of our fellow movie-goers scared screams: China’s movie studios should be closed! The reason is that the three major blockbusters: High-input, High-tech And the star lineup, domestic films are far less import large, how competitive? In fact, domestic films “dance with wolves” is not a new phenomenon. As early as the 1940s and 1940s, Chinese film director Cai Chusheng’s “Fishing Tracks” and “One River Flows to the East” did not die in the field of hardware with American films, but instead played a leading role in social and artistic , Viewability and other aspects of intellectual software to win, cut the social hot spots, real anti-