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正确认识和处理好宗教问题,归根结底是为了正确处理好本土的道教和其他外来教的关系。佛教是外来物,但其为中国宗教文化添加了不少色彩,中国佛教是外来佛教经过“中国化”的、反应出中国意识的产物,和儒、道三家形成中国传统文化的支柱。这里以武汉宗教美术为例和孝感的孝文化来进行了调查和探索,具有审美和文化价值。对这一地区的宗教美术我们只能说是俱往矣,武汉地区还是具有审美价值的,能让我们得到不同凡响的效果。
To correctly understand and handle religious issues in the final analysis is to properly handle the relationship between native Taoism and other foreign religions. Buddhism is a foreign object, but it adds a lot of color to the Chinese religious culture. Buddhism in China is a “Sinochem” of foreign Buddhism, reflecting the product of Chinese consciousness and the pillar of Confucianism and Taoism forming the traditional Chinese culture. Take Wuhan religious art as an example and Xiaogan’s filial piety culture to carry on the investigation and the exploration, has the esthetic and the cultural value. We can only say that the religious art in this area are all going on, and the aesthetic value of Wuhan still gives us extraordinary results.