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明清时期,赏砚、藏砚、刻砚之风盛行。当时金石书法名家辈出,他们中不少人自己动手书写和镌刻砚铭,如纪晓岚等人,除精心拟写、锤炼砚铭内容外,在书写和镌刻之前,还对砚铭的书体、布局、章法进行反复推敲,精心设计。书写刻制,因人而择;砚面构图,因形而异。古朴精雅,砚铭相得,和而不同。同时刀法的运用自然娴熟,既有笔意又有刀味,力求最大程度地体现笔画的顿挫、轻重、快慢、转折、飞白等书法特色
During the Ming and Qing Dynasties, appreciation of inkstone, Tibetan inkstone, inkstone prevailed. At that time, many calligraphers were born, many of whom did their own writing and engraving of Yan Ming, such as Ji Xiaolan, who, in addition to elaborate writing and tempering Yan Ming contents, before writing and engraving, but also on Yan Ming book body, layout , Chapter Law repeated scrutiny, well-designed. Writing and writing, because of people choose; Yan surface composition, vary. Simple and elegant, Yan Ming phase comparable, and different. At the same time the use of knife method naturally skilled, both written and chop knife taste, strive to maximize the frustration, severity, speed, turning point, flying white and other calligraphy features