九十年代的一种 论陈宇飞90年代绘画

• 作 者: 鲍栋
• 出 处: 艺术与投资
• 发表日期: 2007年09期
• 关键词: 当代绘画 九十年代 气大 立体主义 绘画语言 飞纸 中国当代社会 表现主义 人物形象 意象化

如今,一提起90年代的中国当代绘画,多数人脑海里就会浮现出那几个明星般的名字,似乎只有他们才和我们的90年代相关,如果这些情形只是出现在一些艺术大众那里的话,倒也正常,但是在很多所谓专家的号称美术史的写作中,也只是罗列着那些名字,这肯定是有问题的。据说,这是本着“效果历史”的原则,而其实只不过是“生效”的历史原则,这种历史观其实毫无原则,谁名气大就跟在后面胡乱说几句空话。

Nowadays, mentioning the contemporary Chinese paintings of the 90s, most star names appear in the minds of most people. It seems that only they were related to our 90s. If these situations are only appearing in the art public, It is quite normal, but in the writings of many so-called experts known as the art history, only the names are listed. This is certainly a problem. It is said that this is based on the principle of “effect history” and is actually only the historical principle of “entry into force.” This view of history is in fact no principle. .